Convergence mode is a mathematical equation that explains how pixels will merge together when two or more layers of pixels are combined. Although the algorithms behind mixing methods are complex, they’re quite easy to operate using design tools like Photoshop or photo editing software. With software like this, designers can combine layers (photos, colors, text) in unique design creative ways in a few clicks. You can mix any type of layering combination. But, at a minimum, to achieve the blended mood effect, you’ll need at least two layers: a base layer and a blended layer.

By mixing methods a base layer is combined with a composite layer to achieve different effects. Each effect (or mood) uses a mathematical equation that connects red, green, and blue (RGB) or cyan, manganta, yellow, and black (CMYK) color code that has a surface of black and light from which The multi layered effects are created. For most blending methods, blurring is required to bring out the blending effect. You can use mixing methods to apply color overlays to photos, blend images together, blend color levels on photos, and more.

For example, let’s take a look at adding and multiplying two layers. Using photo layer as a base layer, and Milan with colors as a blend layer, the resulting image looks darker and gradually takes on the appearance of colors.

Each option produces different results depending on the mode selected. This is how it breaks down. First, twenty layers is the actual color or image. Next, the compound layer applies directly to the base layer using a specific mode. The result is a mixture of both layers, which changes colors to give an image a completely changed shape.

For them to work, there should be at least two layers. Each option produces different results depending on the mode selected. This is how it breaks down. First, twenty layers is the actual color or image. Next, the compound layer applies directly to the base layer using a specific mode. The result is a mixture of both layers, which changes colors to give an image a completely changed shape.

For them to work, there should be at least two layers. Each option produces different results depending on the mode selected. This is how it breaks down. First, twenty layers is the actual color or image. Next, the compound layer applies directly to the base layer using a specific mode. The result is a mixture of both layers, which changes colors to give an image a completely changed shape.

This is the default mode in Photoshop. This will require adjustment in blurring for any noticeable difference in your photos. When 100% smudging is applied, the blend layer blocks the base layer completely. In our example, you can see that there is no visible image beneath our image, color, or gradual.

The dissolution takes pixel colors from a base layer and over pixel colors in the compound layer to create a unique pixel blend result. Like normal mode, the only way to achieve visual difference between visual and designs is to adjust the blur. In our example, we show a dissolved mode in which 75% of fading is applied to our mixing layers to form a style.

As the name suggests, these blending methods will add black to your photos and designs. Extra categories include deep, multiplication, color burn and darker color.

Dark mix compares twenty layer pixels with the layer, then chooses the darkest pixels to give the layer a dark look. In our case, you can see the dark with an image, color, or gradual overlay using this mode.

This is one of the most commonly used mixing methods in Photoshop. This blend works by multiplying the colors into a base layer with layers. The result is an image that appears to be dark. Any whites in the layers are untouched up, while the black heads appear much darker than the original picture or design.

Like multiplication, the colorful burn mixture grows in contrast to darkening the base layer colors before mixing with the layer colors. Mixing with whites does not change the appearance of the photos at all. Although color is like multipurpose mode in burning, it makes the images darker.

Like color burn, this “burn” effect is created by dimming the brightness of the base layer colors before mixing with the blended layer colors. The results make the base layer much deeper without affecting the white pixels within the layer.

Like color burn, this “burn” effect is created by dimming the brightness of the base layer colors before mixing with the blended layer colors. The results make the base layer much deeper without affecting the white pixels within the layer.

This will replace pixels with a lighter color that is deeper than the compound layer without replacing the pixels that are lighter than the blend layer.

This mood chooses the blend and inverse twenty layers, then multiplies it to create a lighter appearance. Black and white colors remain the same.

This mood brightens the base layer while reducing the contrast between both the base and blend layers.. Black colour remains the same.

This will brighten the base layer to reflect the mixture layer while adding the shine. Black remains the same.

Like a lightweight, light base and blends the layers, then holds a lighter of both. The difference between light and light color is the fact that light color looks at RGB channels as a whole, while light looks at individual channels to complete the mix.

These blending methods create different effects using contrasts and depending on whether the base or compound layer is 50% lighter than brown. This category includes overlays, soft light, hard light, intensity light, linear light, pin light, and hard mix.

One of the most commonly used methods, Overly uses screen mode at 50% power on brighter colors than browns. Black tones change mid tones to black, and light tones to make lighter tones.

Like overlays, soft light has either a dark or mild effect depending on the value of light in an image or color, but in a more subtle form.

By combining multiplication and the screen, harsh light uses brightness in the compound layer to calculate its consequences. In general, it’s best to reduce the blur of the complex layer when using harsh light to achieve better results.

50% of the brown gets darker, yet anything lighter than 50% becomes brighter. Clear light is one of a particular 8, for which it blends differently depending on whether you adjust to fullness or dimness.

Another member of the Special 8, linear light combines the effects of linear dodge (included) on line burning on lighter pixels and blacks..